Sureshot

You need an eye on the inside to make great Art. It is how photographers see a photograph before clicking it. There is a moment when the mind, the vista and the button click. That synchronicity makes it a sure shot.

Every capture is a moment frozen in time; a feeling that is evoked; an energy that regenerates every time we look at it.

The spirit of The Eye mingles with this energy. The eye guides. The eye gives. The eye waits. And then, when the right moment arrives, the eye urges and nudges and pushes. The body responds by seizing one moment of beauty or brutality – both of which are simply reality.

This is the voice of The Eye.

It is a story with spirit in a single, certain, crucial visual.

It is the story of an Art.

A force flows when The Eye opens and hence, a soul…



THE STORY

Photography has everything to do with ‘The Eye’. It’s what you look at, and then, what you, in fact, see. It is a story that often can’t be put into words. Yet, we make that attempt here – a story with a visual, the complete circle of experiencing an image, without you being there, corporeally, beholding the encircling reality of it yourself.

Although photographs have a grammar of their own, we want to tell why our ‘Eye’ saw what it saw and thought it was worth keeping, then and there, in that moment, for eternity.
We observe so much. How can we tell apart that one, remarkable instant that must be preserved? And, more importantly, how can we be so sure of that shot?

The answer comes from a nudge within. It is the ‘Why’ of the ‘When’. When it arrives, an impulse triggers your finger to pull that trigger by pushing a button.

A photograph is taken. The world is held. A story is told.
Here, it is SHOUT!ed to deliver the immensity of an impression the image was taken to make. There is power in this image, there is spirit, there is resilience, there is humanity, there is patience, there is precision, there is ease, there is a sureness of ‘The Eye’, there is an instinct that’s hard to come by and yet, it isn’t.

THE BOMBAY SERIES #3

  One morning in Bombay, The Sun switched on like a lamp on a landscape. The landscape comprises a lot of stone and cement, And despite its hardened,...

THE BOMBAY SERIES #2

An Evening in Bombay isn’t a burst of colour, It’s a play of subtle tints beginning to uncover. And even with the Sun lessening, your thoughts...

THE BOMBAY SERIES – #1

Bombay is an emotion. A very mixed one. There are few cities in the world that are as much of a paradox - detestable one moment...

FROM THE MIND OF AN EYE

Aanchal Kalra has captured us with her captures and vision many a time. Today, she writes why she freezes time and she does, all...

OPENING THE GATES TO CHANGE

Krishiv Shah writes to complement one of his striking clicks. If only we looked and really saw where we’re taking our beautiful planet…   “Louis Armstrong...

THROUGH AND WHERE TO?

"We're all coming from and going somewhere. Always on our way. Some rushing, some slowing... We cross one another but we don't really notice. This photograph taken by...

GAZE

The Lion-tailed Macaque (Macaca silenus) was photographed by Sanjay Prasad Ganguly whilst on expedition, in Valparai. Endemic to the Western Ghats, their numbers have dropped...

A LITTLE HEAVY

Poverty and Prejudice are both striking. Neither is uncommon. And when they come together as twin pressures, they pin you down and keep you there. These disturbing...

WHERE DID IT GO?

And then one day, you’re standing on the platform, watching a train whizz past, wondering where all that time went. Priyanshi Thakkar give us a...

TRAPPED BUT FREE

Cages don’t necessarily confine. With thoughts flowing, we could fly! Priyanshi Thakkar makes us gaze into this cage a little differently than we otherwise would… Confinement...